Curated by State University of New York at Geneseo
Students
Autumn Bieber, Leah Knapton Rapp, Ashlee Kuzemchak,
Heather Matela, Emily McMahon, Ruby Morris, Lora Odeh, Ella
Pearcy, and Ralph Velasquez
Organized by Lynette M.F. Bosch, SUNY Distinguished
Professor of Art History
View the exhibition here.
View the exhibition here.
The OAS AMA | Art Museum of the Americas presents How to Look at
Latin American Art, an online exhibition launching on May 5 from
1-2pm EDT with an accompanying symposium. Curated by State
University of New York at Geneseo students, and organized by
Lynette M.F. Bosch, SUNY Distinguished Professor of Art History,
offers a guide towards answering this important question. For
those who want to learn more about Latin American Art, the
selections made by the students from paintings in the collection
of the Art Museum of the Americas provide a primer, which Autumn
Bieber, Leah Knapton Rapp, Ashlee Kuzemchak, Heather Matela,
Emily McMahon, Ruby Morris, Lora Odeh, Ella Pearcy, and Ralph
Velasquez have developed.
The AMA is unique in many ways and its collection, was enacted
initially by José Gómez Sicre through
purchases and gifts, the provenance of which can be traced, in
most instances, to original owners and galleries that directly
represented the artists whose work is at AMA. At a time when so
many museums are facing the return of works acquired in
less-than-ideal ways, AMA is free of such a clouded past-a rare,
if not unique place to hold among museums with historically
significant collections.
The student curators selected works by Juan Downey (Chile);
Dario Suro (Dominican Republic); César
Menendez (El Salvador); Joseph Jean-Gilles (Haiti); Rufino
Tamayo (Mexico); Zoma Baitler, Pedro Figari, Ignacio Iturria
(Uruguay); and, Héctor Poleo
(Venezuela). This exhibition is not intended to be a
comprehensive catalogue of the art of Latin America. In their
essays, each student curator presented their research and their
interpretation of their selected work from a contextual
perspective, reflective of the social, cultural and political
circumstances within which artists gave visual expression to
their experience.
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This project has been made possible thanks to the support of the
Society for the Advancement of the Art Museum of the Americas.